Los Temerarios reunited for an evening dance party and concert at LA Sports Arena just days after announcing their retirement after 46 years, but were met with mixed reviews from audience members and critics alike. Gustavo and Adolfo Angel deserve credit for attempting to establish an informal rapport with audience members during their set, though these attempts were undermined by several unwelcome emcees who kept interupting it with their constant applause for them.
The group has cemented themselves as one of the premier names in Latin pop with their distinct blend of traditional and modern music, known as their signature romantic ballads or baladas that set them apart from other contemporary groups. Drawing upon both Mexican tradition and synthesizer sounds for inspiration, they have developed something truly distinctively theirs.
Los Temerarios have provided multigenerational households in both America and Mexico with music for over four decades, touring annually until pandemic shutdown, while becoming iconic figures within their homeland where they are considered national treasures.
At a genre where new bands come and go quickly, and fans’ tastes can quickly shift, the brothers’ sweet melodies and inoffensive lyrics have helped keep them popular since their debut in the early ’90s. Although they may not boast the depth or longevity of Los Bukis or Los Yonics, with last year’s release of Una Lastima No Basta as well as this album they remain one of the leaders of Grupero music from regional Mexican cultures.
On this album, they showcase their expertise at merging traditional instruments with modern keyboards and electronic percussion. “Como Te Recuerdo” stands out for its rich layered production that perfectly showcases Gustavo’s soothing tenor’s heartbreaking lyrics about someone he lost forever.
Los Temerarios’ skill at mixing contemporary styles has enabled them to remain popular with listeners for many years – this album proves it. Fans nostalgic for past or looking ahead can both find pleasure in Los Temerarios’ latest work.